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Prints The print collection is the largest single element in the Cottonian Collection. Along with drawings, prints were the principal interest of Charles Rogers (1711-1784). Rogers started collecting in the 1730s and by the time of his death had accumulated one of the largest and finest print collections in England. Though a sale in 1799 reduced the collection by around two thirds, there still numbers some six and a half thousand prints. The prints are mounted in a series of volumes which has contributed to their good condition. Though they are not readily available for exhibition, however, there is an area in the gallery with swing frames displaying a selection of loose prints from the volumes. All the main European schools are represented - French, Dutch and Flemish, German, English and Italian, dating from the earliest period of printmaking to the 18th century. Through his lifetime Rogers developed a discerning eye, frequently changing prints for better impressions, thus amassing a collection not just of extraordinary scale and scope, but also of quality of content. Imitations of Prints and Drawings In addition to his prowess as a print collector, Rogers also published this two volume set of prints in 1778, an important publication in its own right. Rogers commissioned the leading printmakers of the day to make copy prints from some of the finest Old Master drawings in famous collections in England. ____________________________________________________________________________________ For further information and a selection of images from the 'Imitations' and the various schools, click on the appropriate term below: Imitations of Drawings Dutch & Flemish School English School French School German School Italian School |
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